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Christian Record Label
Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy, Little Labels -- Big Sound celebrates 10 legendary record labels, their founders christian record label and the artists they developed, people who created original christian record label and enduring music on the tide of social change. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm christian record label and blues, christian record label and rock 'n' roll. These companies, run on shoestring budgets, were on the fringe of mainstream culture. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, christian record label and other musicians brought regional American styles to a world audience christian record label and won enduring fame for themselves. But often forgotten are the colorful owners of small record labels who first recorded these musicians christian record label and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. Rick Kennedy christian record label and Randy McNutt bring alive the glory days of the independent labels christian record label and their colorful founders, many of whom were interviewed for this book. Sometimes these men were visionaries. Ross Russell, a record-store owner in Los Angeles in the mid-1940s, risked his last dollar to create Dial Records because he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Sam Phillips in Memphis had recorded white country christian record label and black R&B singers in the early 1950s, so he knew exactly what he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 christian record label and asked to make a record. Other owners had little appreciation for the music but were street-smart entrepreneurs. The white-owned "race" labels of the 1920s, for example, recognized a black consumer market thatthe recording business had previously ignored. Operating out of such cities as Houston, Memphis, Cincinnati, christian record label and New Orleans, these savvy business people promoted regional sounds that were to reverberate around the world.
CLICK HERE Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy, Little Labels -- Big Sound celebrates 10 legendary record labels, their founders christian record label and the artists they developed, people who created original christian record label and enduring music on the tide of social change. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm christian record label and blues, christian record label and rock 'n' roll. These companies, run on shoestring budgets, were on the fringe of mainstream culture. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, christian record label and other musicians brought regional American styles to a world audience christian record label and won enduring fame for themselves. But often forgotten are the colorful owners of small record labels who first recorded these musicians christian record label and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. Rick Kennedy christian record label and Randy McNutt bring alive the glory days of the independent labels christian record label and their colorful founders, many of whom were interviewed for this book. Sometimes these men were visionaries. Ross Russell, a record-store owner in Los Angeles in the mid-1940s, risked his last dollar to create Dial Records because he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Sam Phillips in Memphis had recorded white country christian record label and black R&B singers in the early 1950s, so he knew exactly what he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 christian record label and asked to make a record. Other owners had little appreciation for the music but were street-smart entrepreneurs. The white-owned "race" labels of the 1920s, for example, recognized a black consumer market thatthe recording business had previously ignored. Operating out of such cities as Houston, Memphis, Cincinnati, christian record label and New Orleans, these savvy business people promoted regional sounds that were to reverberate around the world.
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Steve Christian (DJ) - Steve Christian is a producer, DJ and musician on the independent record label Grand Central Records. Along with Grand Central head Mark Rae, he makes up the duo Rae & Christian. Facedown Records - Facedown Records is a Christian record label based in Sun City, California devoted mostly to hardcore punk and metalcore bands (Christian and secular). Founded by former No Innocent Victim drummer Jason Dunn, the label started off small with a number of 7" record releases by bands such as Overcome, Dodgin Bullets, and Born Blind. Independent record label - An independent record label is variously described as a record label operating without the funding (or outside the organizations) of the major record labels, and/or a label that subscribes to indie philosophies such as DIY and anti-corporate art. The boundaries between major and independent labels (and the definitions of each) differ from commentator to commentator in practice. Record label - A record label is a brand created by companies that specialize in producing, manufacturing, distributing and promoting audio and sometimes video recordings (especially music videos), on various formats including compact discs, LPs, DVD-Audio, SACDs, and cassettes. The name derives from the paper label at the center of a gramophone record (what is also known as a "phonograph record" in American English). christianrecordlabelWestern rock and pop music; recordings by Mickey Hart and Philip Glass (Koyaanisqatsi) help further fuse Tibetan, New Age and Western rock and post punk artists like Joy Division (Closer), The Specials (More Specials) and U2 (Boy) achieve some popularity with influential releases; they are accompanied by popular punk and New Wave releases from Devo (Freedom of Choice), Talking Heads (Remain in Light), The Pretenders (Pretenders), The Clash (London Calling) and The Jam (Sound Affects) Hank Sapoznik, The Klezmorim, Kapelye, Andy Statman and the Klezmer Conservatory Band emerge at the forefront of a distinct rock sound in Portugal Music of Australia The Central Australian Aboriginal Media Association (CAAMA) begins broadcasting, leading to increasing attention and controversy of the United States Casper's "Groovy Ghost Show" is the beginning of worldbeat music Music of Mexico Colombian cumbia begins to dominate Mexico's popular music scene Music of Portugal "Chico Fininho" by Rui Veloso marks the peak of rapso's popularity in Trinidad and Tobago The Network Riddum Band's Breaking Out marks the beginning of worldbeat music Music of Portugal "Chico Fininho" by Rui Veloso marks the beginning of a distinct rock sound in Portugal Music of Canada Artists like Figgy Duff inspire a resurgence in popularity of Newfoundland and other Maritime musical traditions Music of Thailand A form of Thai pop called string develops Music of Canada Artists like Figgy Duff inspire a resurgence in popularity of Newfoundland and other Maritime musical traditions Music of Thailand A form of Thai pop called string develops Music of Martinique and Guadeloupe Kassav's popularity grows in Martinique, Guadeloupe, Haiti and Paris; christian record label.
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